Includes a re-recording of Sugar Babe’s “Shinkirō no Machi,” the melancholic Brazilian electro-pop tune “Carnival,” and the stylish European-flavored bossa “Bohemian.”
Featuring contributions from Ryuichi Sakamoto (YMO), Kazuhiko Kato, Kenji Omura, and Hideki Matsutake, and produced by Kenichi Makimura — a key figure in the later Shibuya-kei movement who would go on to work with Flipper’s Guitar — this album stands as an essential work in sophisticated Japanese pop history.
